Bio

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The focus of my artistic research is on how media and technology shape our political understanding of the world.

I am a media artist with training in Visual Arts, Cultural Studies, Information Science, Performance, and Sound Design. My practice evolved from film and sound editing to 3D modeling, game engines, coding and speculative storytelling. Since the early 2000s, I have produced films that explore topics like finance, markets, and media criticism, often labeled as expanded cinema.

Currently, I’m working on Something Utterly Original 2025, a multimedia project that addresses the pressures of contemporary artistic practice — the demand for radical innovation while responding to societal expectations. Through self-portraits and microhistories, I examine how memory, wonder, and curiosity intersect with the broader political and historical contexts of Western Europe. This work not only reflects my personal history but also engages with broader questions of how artists navigate originality, expectation, and self-representation in today's world.

And Im starting Propaganda as Quantum Manipulations 2025. This research investigates how immersion, nonconscious cognitive processes, and multisensory engagement contribute to ideological manipulation.

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